Katie Walsh
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Adapted from the popular children’s series by Dav Pilkey, this animated version finds just the right tone: a simple aesthetic for kids, with empathy for adults.
Husband-and-wife filmmaking team Andy and Sam Zuchero create a sci-fi romance that’s well cast but frustratingly shallow about online influencer culture.
Following up his well-liked 2018 crime film, director Christian Gudegast swaps ‘Heat’ for ‘Ronin,’ bringing on interchangeable Euro-criminals and car chases.
Director Robert Eggers has wanted to remake F.W. Murnau’s silent horror classic for decades, but his results show a lack of imagination and too much deference to the original.
Just when third installments begin to lag, the Sonic series has found a way to turbo-charge itself, doubling the Jim Carrey content and cutting him loose.
Aaron Taylor-Johnson tries his best in a supervillain offshoot that, like Sony’s “Madame Web,” may work better for comics fans looking for a campy hate-watch.
The real-life story of Dagmar Overbye, one of Denmark’s most notorious serial killers, is dramatized in this nightmarish tale of desperate women and infanticide.
Making his directorial debut, ‘SNL’ vet Kyle Mooney marshals a period-rich script (and the participation of Fred Durst) into a project for a targeted audience.
Reuniting Ralph Fiennes and Juliette Binoche, stars of “The English Patient,” this pared-down telling of a soldier’s return simmers, never quite reaching a boil.
Mounting a risqué novella by William Burroughs, filmmaker Luca Guadagnino finds an expressive way forward for the former James Bond, who finds a new register.